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"In folly's cup still laughs the bubble joy." Alexander Pope

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Two Artists You Must Know: Amy Sheppard Morose and Stephanie Barenz

May 1, 2015 mithra ballesteros
A True Abiding Place

I remember the first time I purchased a piece of art. I was walking home through the park where an art fair was taking place. The booth of a watercolorist caught my eye. He painted animals in a fairytale way. I asked how much for the one of the lions marching off to war with their teddybears. When he told me the price, I hurried home, counted out the necessary sum, and raced back to the fair to buy the watercolor. I was ten. 

Buying art should always be that instinctive and straightforward. But mixing art and business is like asking a horse to dance. It is possible but it takes discipline, training and finesse. 

Today, I am writing about two artists who share an ability to communicate with their buyers to such an elevated degree that the ensuing process of creating art is enhanced and both artist and buyer are benefitted. These artists, Amy Sheppard Morose and Stephanie Barenz, metaphorically illustrate the client's experience directly onto the canvas. Aside from their talent, I think there is one powerful reason why they are able to do so: they listen with their hearts and they dig for the story.  

AMY SHEPPARD MOROSE: ABSTRACT PAINTER

Amy Sheppard Morose paints large scale abstracts in richly layered colors and velvety textures. Much of her work is custom and commission-based and she welcomes the challenge of solving a problem for a client. With a background in commercial art direction and graphic design, she is accustomed to rigorous communication with the client. She delves deep into what the client likes and doesn't like. She builds a visual framework that includes the client's history, environment, and thoughts.

Forest Park 1, mixed media

Forest Park 1, mixed media

Forest Park 2, mixed media

Forest Park 2, mixed media

Forest Park 5, mixed media

Forest Park 5, mixed media

"My work comes straight from my head and heart. Those pieces are where most commissions start. The client finds something they like in my portfolio and we build upon that, adding their experiences as another layer to the process. I think that 99% of the time, a commission turns out better than something I would have done on my own. The outcome is so much richer."

Sheppard Morose draws inspiration from the post-modern masters of the last century. There is a precision and a quilt-like quality to her collages. They're expressive yet somehow mathematical. Her textures are deep and delicious. The colors are subtle, fluid, soft. The overall effect walks the line between chaos and comfort, which is something we can all understand.   

Sheppard Morose is as approachable and warm as her canvases are large. She takes pride in assuaging the "intimidation factor" involved in buying art. She listens before she paints. Her client is almost a partner. And when they collaborate, the process stretches her as an artist in an unexpected way. "It's a joy," she says.   

For more information about Amy Sheppard Morose, click here.  


STEPHANIE BARENZ: STORY PORTRAITIST 

I heard Stephanie Barenz give a 30-second elevator speech at an event a couple of weeks ago and I was riveted by what she said. Just like that day in the park when I was ten, I rushed home to look her up. She uses her mixed media canvases to tell a visual story and I'm a huge fan. You will be too in a minute. 

If you're a local reader, you may recognize Ms. Barenz as a recent artist-in-residence at the Pfister Hotel here in Milwaukee. During her yearlong residency, Barenz worked alongside Pfister narrator, Molly Snyder. Together they produced a book called "The Carriers", containing both illustrations by Barenz and narrative by Snyder. The collaboration was revelatory and changed both women. There was no going back and the process led to a formal artistic partnership outside of the Pfister residency. 

Today, Barenz and Snyder work together with clients who seek to memorialize a moment in time: a significant journey, a story from the past, or a lifetime of experience. Barenz sits with the client for an extensive interview, during which she creates a list of possible vignettes that will be a part of the canvas. She and the client tour Barenz's gallery and Barenz listens closely. Later, Snyder joins the process to put words to images. After approving sketches along the way, the client receives both a painting and a bound storybook. 

Stephanie Barenz

Barenz paints in an illustrative style that reminds me of some of my favorite children's books. (Remember The Snowy Day by Ezra Jack Keats?) She layers architectural elements, human silhouettes, and everyday objects and somehow floats them in a very connected way onto a vivid blended background that by itself could be a work of art. What I see is a dreamlike landscape of a memory, and I get lost in each one. For her clients, Barenz's artwork represents a mark that they matter. Their story has value. The painting and the storybook honor an individual's journey. 

"Gathering Sense and Sweetness: A Homage to Rilke", mixed media on canvas

"Gathering Sense and Sweetness: A Homage to Rilke", mixed media on canvas

"Going to the Sun", mixed media on panel

"Going to the Sun", mixed media on panel

Wen Yi Lu, mixed media on panel

Wen Yi Lu, mixed media on panel

For more information about Stephanie Barenz, click here. 


In Cool Women, Interiors Tags Amy Sheppard Morose, Stephanie Barenz, abstract art, story portraitist
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Welcome! I'm Mithra (pronounced Mee-thra). I'm an interior stylist and a writer. I'm also a vintage and antiques lover. I have an online shop, Finder Not Keeper, where I sell my best finds. (That's a white lie. I keep the best finds.) Read more about me and the blog here. 


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Just finished watching the film RBG — so excellent— and then a friend texted me this poem by Sharon Owens: ⠀⠀⠀⠀⠀⠀⠀⠀⠀
Someone clever once said
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Women were not allowed pockets
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In case they carried leaflets
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To spread sedition
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Which means unrest
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To you & me
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A grandiose word
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For commonsense
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Fairness
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Kindness
⠀⠀⠀⠀⠀⠀⠀⠀⠀
Equality
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So women start sewing
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Dangerous coats
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Made of pockets and sedition
Just finished watching the film RBG — so excellent— and then a friend texted me this poem by Sharon Owens: ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Someone clever once said ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Women were not allowed pockets ⠀⠀⠀⠀⠀⠀⠀⠀⠀ In case they carried leaflets ⠀⠀⠀⠀⠀⠀⠀⠀⠀ To spread sedition ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Which means unrest ⠀⠀⠀⠀⠀⠀⠀⠀⠀ To you & me ⠀⠀⠀⠀⠀⠀⠀⠀⠀ A grandiose word ⠀⠀⠀⠀⠀⠀⠀⠀⠀ For commonsense ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Fairness ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Kindness ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Equality ⠀⠀⠀⠀⠀⠀⠀⠀ So women start sewing ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Dangerous coats ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Made of pockets and sedition
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Willa Cather
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📷: @carlacoulson
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In honor of my friend @pego16 whose birthday is TODAY! Since she was a kid, she’s disliked VDay and you can imagine why, right?!?
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Card made by @farewellpaperie which is no more and which also sucks.
In honor of my friend @pego16 whose birthday is TODAY! Since she was a kid, she’s disliked VDay and you can imagine why, right?!? ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Card made by @farewellpaperie which is no more and which also sucks.
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Brunch with four hopeful young men!
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And so another E.B. White passage hits home:
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“The residents of Manhattan are to a large extent strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.”
Brunch with four hopeful young men! ⠀⠀⠀⠀⠀⠀⠀⠀⠀ And so another E.B. White passage hits home: ⠀⠀⠀⠀⠀⠀⠀⠀⠀ “The residents of Manhattan are to a large extent strangers who have pulled up stakes somewhere and come to town, seeking sanctuary or fulfillment or some greater or lesser grail. The capacity to make such dubious gifts is a mysterious quality of New York. It can destroy an individual, or it can fulfill him, depending a good deal on luck. No one should come to New York to live unless he is willing to be lucky.”
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⠀⠀⠀⠀⠀⠀⠀⠀⠀
The subtlest change in New York is something people don’t speak about much but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.
Walking past Engine 24 Ladder 7 and its memorials, I’m reminded of this prophetic passage written by E.B. White, fifty years before 9-11-2001: ⠀⠀⠀⠀⠀⠀⠀⠀⠀ The subtlest change in New York is something people don’t speak about much but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.
On the blog today, a very short little film shot from inside a cool estate sale. The home belonged to a woman who emigrated from Sweden and she was an excellent caretaker.
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Have you ever shopped an estate sale? What room do you go into first? I always head to the dining room because I’m a dish whore.
On the blog today, a very short little film shot from inside a cool estate sale. The home belonged to a woman who emigrated from Sweden and she was an excellent caretaker. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ Have you ever shopped an estate sale? What room do you go into first? I always head to the dining room because I’m a dish whore.

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